Saw Jupiter Ascending last night. As expected, it is a sci-fi
action adventure, and as such it delivers a smooth, fast-paced and
gripping conflict. I went to the movie expecting nothing else, and I
wasn't dissappointed on that score. The action and the special effects
(CG) are seamless and impressive. Moreover, the characters are
interesting and the galactic world and technologies they postulate are
fascinating. As someone said last night, that's a world in which all
sorts of interesting stories could be set. It's a pity that the plot
doesn't match the quality. Also, at times it was confusing and many
times the dialog was hard to understand. I'm not talking about the
Russian (I assume), but the English. Whether it was the theatre's
speakers being poor, or the background noise, or the explosions, I had
to whisper to my partner "What did they say?" several times and so did
she.
I won't critisize the physical improbabilities. (How
Jupiter's shoulders weren't dislocated during the fight in Chicago, for
example.) This is a modern action movie. That means that such
improbabilities are par for the course, and in this case were well
integrated into the action. Unlike in many other movies, they did not
stand out and wreck the experience.
One more kudo I have to give
the story. The writer resisted the temptation to make Jupiter a
kick-ass fighter. She has no training, no hardness, no technical
(weapons, human vulnerablities, etc) knowledge. So while she becomes a
player, her characterization is honest and never becomes ridiculous.
For that, I applaud.
It is interesting however, to note how many
times Jupiter falls and has to be saved by Caine. That's one trope that
got a little tedious.
Spoilers below:
Actually, the plot reminded me of a much better The Last Starfighter. While TLS was corny and the special effects poor, Jupiter Ascending
was much much better. However, the idea that a person could leave
earth, take part in a galactic battle and come back with no one else the
wiser isn't a new concept. Even so, the characters and the setting
aren't contrived; it hangs together well.
Nonetheless, I have
three particular critisisms of the movie. Firstly, the destruction of
Chicago is repaired and Caine explains that memories will be wiped.
Yet, with that much collateral damage, there have to be casualties, many
deaths. Tens of thousands of people will have witnessed that.
Papers, documents, computers and all the digital ephemera (and physical:
family photos, movie tickets, ...) will have to be replaced. The idea
that all that can be covered up in 24 hours is laughable, and is also a
tedious cliche.
The Abrasax family makes the Borgias look like
the textbook of humility, cooperation, powerlessness and poverty, but
when Jupiter goes to the beaurocracy to get her inheritance proved, she
is treated like a nobody. I have to assume that was put in to create a
light-hearted break from all the violence. However, a beaurocratic
infinite loop is such a cliche that it does the movie a dis-service.
More importantly, it destroys the power (political, economic and social)
of the Abrasax family that has been established in the early sequences
of the movie. One could argue that Jupiter isn't yet a member of the
Abrasax's, but she is claiming membership and an enourmous inheritance.
Yet, that doesn't even cause an eyebrow to be raised. It's like this
is an every-day event. Even the man who eventually gives her the mark,
he treats her with familial condescension. She now has the power to
destroy his career, if not his life, and from what he says, the family
has a reputation including ruthless power and petty vindiciveness. And
which is confirmed 5 seconds later. So why? The movie doesn't give an
explanation. I'm fine with un-answered questions, but for me, this is
such an glaring contradiction that it needs to be explained.
My
last objection is the ending. Jupiter returns to Earth, which she now
owns, to live her "normal" life. Presumably the writers wanted a
traditional cute "happy ending". However, she is now a pivitol player
in one of the most important (if not the most important)
families in the galactic civilization. That creates a power vacuum
that is guaranteed to cause even more conflict, assassiniations (of her,
if no one else), corporate takovers ... Even if she establishes a
committee of trusted people, she is vulnerable. Only one of her
"family" has died, so there are two left, not to mention any cousins,
children, etc. To hold power and keep the earth and herself safe, she
needs to exercise that power, live that power, be that power. The
galactic culture is clearly a place where bounty-hunters, assassins,
agents, double-agents, private armies, etc abound, and hiding on Earth
isn't a practical option. She needs a 24/7 team of bodyguards, at the
very least.
So in summary, Jupiter Ascending is a
gripping action-packed adventure with a fascinating world, characters,
technology and culture, but the plot has annoying cliches and holes.
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